Iron Antiques
There are three basic types of iron: wrought iron, cast iron and steel. Wrought iron is by far the oldest metal used by man. The earliest uses were for simple tools and weapons (knives and spear-heads) but in due course ironwork began to serve an ornamental purpose. The craft of decorative wrought ironwork became an art form in the late seventeenth and early eighteenth centuries.
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Wrought iron work was developed from a utilitarian practice into an art form largely due to craftsmen such as Jean Tijou, Robert Bakewell, and the Davies Brothers. Originally more ornate with a series of curled protrusions and scrolls wrought iron work became more severe in early 18th century America.
Fencing & GatesThe fibrous structure of wrought iron makes it ductile and can be shaped by hammering, squeezing, rolling or bending. The scroll, a common feature of ornamental wrought iron gates and wrought iron fencing, is an example of plain bending. Much decorative antique ironwork was based on natural forms such as plants, birds and animals.
Finials & CorbelsIn colonial America, utility was a prime consideration with regard to virtually every possession. England discouraged development of colonial industries requiring most raw materials be imported. Ironwork of American origin was rarely fabricated in early colonial times, however by the American Revolution more than eighty ironworks were operating in Pennsylvania where rich deposits of ore were discovered
Iron HardwareThe term wrought iron describes an easily forged, ductile iron containing an abundance of slag but very little carbon, giving it a grainy appearence.
Weather VanesThe first weather vane was hand crafted of wood or shaped metal in both silhouette and three-dimensional forms. After mid 19th century advancements in technology, factories made most of the weather vanes being produced. The well-built weathervane is sturdy enough to withstand the elements, yet responsive to shifting air currents.
Window Grates and Door GatesEvery wrought iron object began as a bar of iron, round, square or rectangular in cross-section, or in the case of 'repousse' work, as a thin, flat sheet. The blacksmith usually had to do quite a lot of preliminary shaping before he could start on the more complex and delicate forming needed in ornamental work. For example, he may have had to taper an iron bar, convert all or part of it from round to square or vice versa, or swell it our locally at one or both ends, or in between.
